| 03.07.09 | Reboot@RitzLounge | Stuttgart / Germany | |
| 03.07.09 | Mirko Loko@Montreux Jazz Festival | Montreux / Switzerland | |
| 03.07.09 | Alex Picone@Moloco | Pesaro / Italy | |
| 04.07.09 | Sety@WasabiClub | Bari / Italy | |
| 04.07.09 | MirkoLoko@Fluid | Bergamo / Italy |
more events
| 26. 06. 2009 "SEVENTYNINE" by MIRKO LOKO | |
 | It's always a special event when Cadenza releases an artist album, given their relative rarity. In fact, not counting copious doublepacks, the Cadenza Contemporary 01 mix CD, and Ricardo Villalobos' counterintuitively titled Achso EP, there has only been one so far: Los Updates' First If You Please. Making things even more special, Mirko Loko's Seventynine is both his debut solo album and his first appearance on Cadenza, all adding up to a triply celebratory moment. Not that Mirko is a newcomer: as part of Lazy Fat People, he lapped up accolades for releases on Border Community, Wagon Repair and Carl Craig's Planet E, among others. And no one can forget last year's Family EP, a collaborative effort by Mirko and Luciano, released on Loco Dice and Martin Buttrich's Desolat. Now, with Seventynine, Mirko takes us even deeper into his musical imagination, introducing listeners to a side of him they may not have heard before. At its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the Cadenza sound. But Mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. Rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole. Mirko Loko on myspace |
| 25. 06. 2009 BROADCASTING FOR CADENZA NIGHT@COCOON FRANKFURT | |
 | www.livebeats.com "If you ever wanted to participate at a Cadenza Night @ Cocoon Club but couldn't make to Frankfurt/Main - this is your opportunity: On Friday, 26th June 2009 Cadenza offers you the unique possibility to explore this night with Luciano and the Cadenza family from all over the world - brought to you by the new online live music service Livebeats.com: Exclusively live - in best sound- and video quality available!" |
| CADENZA BLOGSPOT is online!!!! | |
 | Come and share our adventure around the globe. Be in contact and take part of our blog. We want to be closer to YOU. CadenzaRecords.blogspot |
| Æther. Live Performance of sound&colour | |
 | DATES 18.07.09 - Æther@Monegros Desert Festival, Fraga, Spain 08.08.09 - Æther@Summer Sonic Festival, Tokyo, Japan 09.08.09 - Æther@Summer Sonic Festival, Osaka, Japan 14.08.09 - Æther@Electrocity 2009, Lubiaz, Poland 19.08.09 - Æther@High Speed Rock Festival, Tel Aviv, Israel 20.08.09 - Æther@Zappa, Tel Aviv, Israel 21.08.09 - Æther@Lowlands, Dronten, Holland 22.08.09 - Æther@Pukklepop, Hasselt, Belgium 29.08.09 - Æther@Creamfields, Liverpool, England 04.09.09 - Æther@Electric Picnic, Stradbally, Co, Irland 21.11.09 - Æther@Sonofilia Festival, Guadalajara, Mexico |
| CADENZA 35 "EL DEVICE" by MIGUEL TORO (release 20.04.09) | |
 | Cadenza welcomes yet another new member into the fold with its 35th release. Hailing from Caracas, Venezuela, Berlin’s Miguel Toro brings an indisputably Latin touch to his productions, which of course fits perfectly with Cadenza’s aesthetic. In fact, Toro is no mere button-pusher, but a talented percussionist in his own right-throughout 2007, he even served as the accompanist for Samim’s rollicking live sets. But there’s far more than shakers and congas to set Toro’s work apart. Mutating the title of the Velvet Underground classic, “Sissteray” charges ahead with a pumping, rock-steady beat, with plenty of rolling hand percussion to supply the rhythmic nuance. The most notable hook are a pair of repeated vocal samples that hover just on the edge of intelligibility. The effect is like fusing the DNA of decades-old pop into the finely-tuned body of a contemporary drum track-resulting in a powerful “earworm” that glints and ripples like a lean, muscular snake. There’s a curious vintage feel to the track, from its jacking, no-nonsense rhythm to subtle touches of reverb that creak and hiss like a kicked amplifier. “Quassi” is slightly more laid back, but it still stomps like a herd of elephants heading for the watering hole. Toro’s percussive sensibilities are more on display here, with keenly syncopated woodblocks and metallic shakers galore; loose percussion gives the cut its essential “human” feel, with weird, polyrhythmic lines shaping an arc that never settles into four-bar predictability. The samples are nothing short of otherworldly, with garbled voices and gritty rumblings bubbling up from the background, while jewel-toned keyboards veer from a housey chug towards more fanciful lines of flight suggesting all-out space jazz. Despite the wealth of ideas, though, Toro always keeps it simple: every sound works in service of the all-important groove. Miguel Toro on myspace |
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